Genre-bending mezzo soprano Audrey Babcock has captivated audiences worldwide with her mesmerizing performances and versatile vocal and dramatic range, establishing herself as a compelling interpreter in the world of opera. Her exceptional ability to embody character and her passion for craft have earned her a place among the most esteemed vocalists of her generation. Engagements for the 2024-2025 season include Mrs. Lovett in Sweeney Todd with Utah Opera, her directing debut in Carmen with Opera Memphis, and Santuzza in Cavallaria Rusticana with Orlando Opera. 

Dedicated to contemporary works, Audrey recently deěbuted the roles of Toledo in Redler/Dye’s new work The Falling and Rising with Arizona Opera and Opera Carolina, Nica in Yardbird with Seattle Opera, and Eva in An American Dream with Opera Santa Barbara, and she has worked closely with Pulitzer Prize-winning composers Ellen Reid and Jorge Sosa. As a producer, writer, and creator, her projects Lily; her life, his music — the story of a queer Jewish heroine who escapes Nazi Germany, told through the music of Kurt Weill — and Beyond Carmen, with flamenco guitarist Andres Vadin, provide audiences an evening of compelling, thought-provoking storytelling with sensational presentation. Additional premieres include Tobias Picker’s TheěreĚse Raquin (NY premiere — DicapoOpera), With Blood, With Ink (world premiere — Fort Worth Opera), La Reina (American Lyric Theater and Prototype Festival), The Poe Project (American Lyric Theater), and Winter’s Tale (Prototype Festival).

An accomplished Carmen with more than 200 performances, Ms. Babcock made her French deěbut in the title role with the Festival Lyrique en Mer and has sung it with Florentine Opera, Nashville Opera, Florida Grand Opera, New York City Opera, San Antonio Opera, Knoxville Opera, Opera Delaware, Toledo Opera, Anchorage Opera, Dayton Opera, Fort Worth Opera, Mill City Summer Opera, and Utah Festival Opera, of which The Salt Lake Tribune wrote “Audrey Babcock's performance as Carmen was a spellbinding tour de force...from the moment she took the stage her self-assured characterization was mesmerizing... Babcock's caramel-hued mezzo was a pleasure... her supple tones caressed the notes, radiating earthy allure.” Engaging beyond singing and acting, Ms. Babcock also works as a movement and breath specialist and a dance and fight choreographer skilled in hand-to-hand combat as well as weaponry.

Ms. Babcock is a graduate of the Peabody Conservatory with a BM in Voice, California Institute of the Arts with an MFA in VoiceArts with concentrations in Producing and Dramaturgy,  and is certified in Somatic Voice WorkTM the LoVetri Method. She currently serves on the Voice faculties at California State University, Fullerton, in both their school of Drama and Music as well as California State University, Los Angeles. Ms. Babcock’s numerous awards include “Artist of the Year” for her portrayal of Jo in Mark Adamo’s Little Women (Syracuse Opera), the George London Award, the Fritz and Lavinia Jensen Foundation Award, and the Opera Index and Sullivan Foundation Encouragement Awards. Recording under the name Aviva, she has released an album of Ladino pieces called Songs for Carmen, a collection of works sung in Ladino and Arabic, inspired by the character Carmen.